EARLY JAZZ PIANO STYLES Essay Example | Topics and Well Written Essays - 1500 words

EARLY JAZZ PIANO STYLES - Essay ExampleWith Bennie Motens innovation, jazz piano incorporated some blues in it which accounted for the blues-rooted modern jazz (Schuller 4). Gioias account brought up the influence of Mexican band performers to the wear of jazz in Kansas City, New Orleans (7). It was during the time when the Louisiana Purchase only resulted to a one-eighth Anglo-Saxon population and the Latin Americans dominated in numbers in the said area (Gioia 6). Decades passed, and the influence of African-Americans grew to be more noticeable with the introduction of rhythm and blues. In fact, modern jazz is described as a hybrid of various Latin and African-American music genres, such as Broadway music, pop, blues, samba, reggae, funk, and other symphony music (Gioia 8). This essay follows the discussion of various melodious works in jazz piano and descriptions of each popular jazz work in history. In particular, it discusses the popular Stride Ragtime, specifically the Harlem stones throw piano, trip the light fantastic Woogie, Earl Hines jazz piano pieces, and G. Gershwins Rhapsody in Blue. Descriptions of these masterpieces will also be supported by some music authors perception of their music for validation and antonymous interpretation. Stride Ragtime Harlem Stride forte-piano Among the best pianists in New York, four of them were experts in stride playing. James P. Johnson, Luckey Roberts, Willie The Lion Smith and Richard Labba Labba Maclean were among the victors in stride shred battle known as cutting contests in which they were known as ticklers (Martin and Waters 108). Stride ragtime is played fundamentally by the odd hand which strides up and down the keyboard using a base note or an octave played on the first and third beats of the 4/4 measure while goes on to alternate with a midrange note on the second and fourth beats (Martin and Waters 108). Stride ragtime originated from ragtime itself but was developed into stride piano using som e techniques such as speed, variations, incorporation of blues, and other improvisations that were sometimes planned (Martin and Waters 108). Harlem Stride Piano incorporates speed and flash. The effect appears to be vigorous and full of energy, a mimicry of American society shortly after World War I in which American lifestyle was fast-paced, hectic, and seemingly always in a rush. It also depicts sounds heard in cars and other automobiles, telephones, and airplanes (Martin and Waters 108). It also suggests a pleasing and rested mood because of the seemingly caricature accompaniment which is a perfect background to slapsticks and pathos visual shows. Eubie Blake was particularly famous for being a pianist and composer during early, middle, and novel 1900s and took the stride ragtime to a new level (Martin and Waters 109). Most importantly, James P. Johnson fathered stride piano by being so absorbed in his craft through composing jazz pieces for Broadway musicals and concerts and keeping on learning and experimenting for the said genre (Martin and Waters 109). Boogie-woogie Noisy offspring was labeled to another(prenominal) genre of jazz piano, which became an instant hit in the late nineteenth and early twentieth century (Silvester 3). Boogie-woogie came to the existence in 1940s side by side(p) combination of ragtime and rhythm of African music as evident by the qualities